Free blown glass birdcage fountain. The body has shallow flutes and the top has a twisted glass detail, topped with a cobalt blue bulb. The feeder extends away from the body in a rectangular shape.

Bulbous free blown glass birdcage fountain. The glass is speckled with a decorative knob on its top. There is a spout connected to the body. Pontil mark on the bottom.

Bird-cage fountain. Colorless, blown-molded, with globular body, flattened on one side. Waterer has a projecting rectangular cup, tapering neck with flat button base for chicken finial and rounded sides with alternate fillet-rib and broad plain panel. Plain base with rough pontil mark.

Colorless, blown-molded birdcage fountain with globular body, flattened on one side having a projecting rectangular cup. Tapering neck with flat button base for chicken finial and rounded sides with alternate fillet-rib and broad plain panel. Plain base with rough pontil mark.

One blacksmith's apron once owned by John Thomas "JT" Caley, blacksmith for the town of Brighton, New York. Apron is made of thick black leather and has two gromets at the top and leather loops where ties would have gone. In very good condition for its age. Some cracking along the outer edges and some tears in the front "split" of the apron with one piece having come loose but leather is still malleable and supple.

Blacksmith box owned by John Thomas (JT) Caley. Box is made of wood with a cast iron handle that curves over the box. Cast iron strips are screwed onto the edges for stability. There is a larger compartment at the bottom and a small compartment divided into four areas at the top.

One blacksmith's hammer with wooden handle and cast iron head.

All wool blanket. Hand spun white, and commercial red wool. Bold red and white plaid. Woven into strips. Copied from an 1840 blanket in Nancy Bogdonoff's "Handwoven Textiles of Early New England".

Woven blanket. Red and blue check on natural ground.

Rust and blue check on white. Woven by GCM weavers.

Blanket. Commercial warp, handspun weft, all natural color, all wool.

Blanket. Commercial warp, handspun weft, all natural color, all wool. Woven by GCM weavers.

One reproduction Shaker diamond point wool blanket with a twill pattern in dark blue and white.

Large indigo and white plaid blanket. Modification of early one in the book "Keep Me Warm One Night". Yarn spun by GCM spinners. Blanket woven by GCM weavers.

2 ply handspun and dyed with indigo. The pattern is Goose-eye twill. Was worked on over a period of 2 years by the GCM weavers. "4 days to wind warp. 3 days to dress loom. 17 days to weave." - Louise Richens (GCV&M weaver).

A simple six-board blanket chest or box with remnants of blue paint..

Blanket chest. Painted vermillion with black/gilt striping. Gilt floral stenciling with dome top and lined with wallpaper, on top: stenciled "F.C.G."

Blanket chest with lift top and tapered legs. Brown with an oval pattern in yellow ochre with green plumes. Yellow stenciled, inlay-like border. Hepplewhite.

Six board blanket chest with lift lid and four turned legs with ball feet. Painted red.

Blanket chest grained, painted black and red. Lift top with two drawers. Feet cut out of the solid ends. An old brass bat wing-type escutcheon decorates the top of the front. Drawers have molded edges, oval brasses and bat-wing escutcheons.

Hepplewhite blanket chest painted with a brown-red finish with darker graining. Lift top with two drawers. Feet cut to look like bracket feet. Shaped front and side skirts. Old brass escutcheons and brasses. Molded-edge drawers.

Six board blanket chest with lift top with molded edge. Four of the planks are painted red with free-hand black designs.

Blanket chest with hinged lift top, cut out feet and a base molding.

Painted blanket chest with hinged and molded cover. Small covered till inside and molded base. Blue-gray paint.

Blanket chest with lift-top box on bracket feet with three small molded edge drawers. Painted red.

Hand pieced and hand quilted. "Each full star in this red, green, and yellow quilt is made up of 128 diamond-shaped pieces. Fifteen full stars, 11 half-stars and 2 quarter stars add up to an impressive total of 2,688 diamonds. A close examination reveals faint pencil marks made to guide the stitching, done in a running vine pattern." - Elizabeth Davis, "A Stitch in Time: Quilts from the Genesee Country Village & Museum", 2005.

Sander. Three bands of punched decoration on base and turned shaft. Double edge on rim decorated with tiny scalloping..

A bobbin holder ("lazy kate") consisting of one bobbin rack with three horizontal wrought iron rods, two of which hold the original maple bobbins. The footed frame is secured with wooden pegs.

Shoemaker's boot last. Whittled hickory boot form with movable foot on a pegged joint & handle carved from the "leg".

Boot scraper shaped like two dolphins, nose to nose. Bar between tails forms scraper. Three screw holes in flat base.

Boot jack in the shape of a cricket.

Bootjack. The chamfered frame, screwed to the jack, is movable so as to act as a hand rest for balance. Jack has sole-shaped opening and swings on two pivot points within the frame

Wooden bootjack with a forked shape and a block of wood attached perpendicularly above the divergent part of the fork.

Rectangular bottle with round beaded screw top.

Bottle with green lateral sides and sloping shoulder. Sloping rim with string lip. Dug from the earth along the Barge Canal.

Green glass bottle with narrow neck.

Clear glass bottle.

Olive-green, amber, gin bottle blown in a square-sided mold. Six-sided star and a circle in each corner of base.

Blown, double flask shaped like a bellows with applied rosettes, probably a glass blowers' "whimsey".

A straight-sided brown bottle made of vitreous stoneware.

Black sherry bottle.

Blown, seamed olive-amber bottle with pontil scar. Embossed on bottom: "Ricketts".

Blown, seamed olive-amber wine bottle with pontil scar.

Pressure-type blown amber-olive wine bottle with pontil scar.

Blown, olive-amber bottle with pontil scar.

Pressure-type blown wine bottle olive amber with pontil scar.

Small chestnut-shape green bottle, cracked.

Aqua glass bottle, mold-blown. Top and bottom of the body is ribbed horizontally. The middle is smooth glass. Lip is plain, pontil broken.

Clar glass bottle, mold blown. Top and bottom of the body is ribbed horizontally. The middle is smooth glass, on one side is a raised circle, on the other side is a raised square. Lip is plain but lopsided, pontil scar.

Blown glass amber-colored bottle with four flaring sides, rounded shoulder and applied top. Pontil scar.

Spirits bottle. Olive-amber with lateral sides and a pontil scar.

Olive-amber bottle with pontil scar on bottom.

Olive-amber colored bottle.

Olive-green, amber, gin bottle blown in a square-sided mold. Six-sided star and a circle in each corner of base.

Olive green gin bottle blown in a square-sided mold.

A green wine bottle with a narrow neck and a bulbous body.

Green glass bottle with wide rounded body with rounded neck and 1'' lips. Seam going down both sides of body. Numbers 3 and 10 on bottom.

Dark green bottle with small indentation on side, long narrow neck and rounded shoulder.

Olive-green, gin bottle blown in a square-sided mold. Marking could possibly be a pontil scar.

Green "waldglas" wine bottle with cylindrical body, sloped shoulders and a short neck. Blown glass with pontil mark on bottom and a deep punt. A secondary lip is applied to the opening at the the neck.

Green demi-john in 2 handled basket.

Bottle dryer made of a 1 7/8" piece of oak with four tapered sticks set into its face and wire hanger nailed into top.

A wheel-thrown bowl made of red clay, covered with a brown-tan lead glaze featuring dark specks of deeper brown. The bowl has ear-like handles and is attributed to Alvin Wilcox of West Bloomfield, New York, based on matching shards found at the site of his pottery shop.

End of the day glass work blown into the same form of object number 2022.28.036. Tiny bowl in aquamarine, front has an empty oval frame, on the opposite side is a flower in a circular frame. Two-tiered base three tiers around the neck.

Bowl with interior printed with a blue transfer of floral and geometric patterns in an Italian design. Yellow-brown rim.

Turned wooden bowl.

Feather edge pearlware bowl. Ivory base color with blue edge.

Featheredge pearlware bowl. Ivory base color, blue edge.

Feather edge pearlware bowl. Ivory base color, blue edge.

Feather edge pearlware bowl. Ivory basecolor with blue edge. Small chips present

Shallow yellow ware bowl with flaring sides.

Yellowware bowl with three white bands, one wide and two narrow

Round pewter bowl with "B" imprinted on bottom.

Small round bowl "B" imprinted on bottom of each

White bowl with blue band around the lip of the bowl.

Pearlware bowl with a blue transfer of two fishermen. Border is embossed with green and white leaves and blue flowers.

Blue transferware with floral elements on rim and town scene in center.

Box with wooden base. Pasteboard sides covered with green/pink plaid paper (appears to be a green stripe because of fading.) Bright blue/gold label with grapes covers lid.

Bentwood storage box secured with copper tacks.

Tin box painted green with stenciled flowers.

Bentwood box with the initial "E" and "16 cents" scratched on exterior top.

Paper box the lower half of which is covered in a pink small pattern. Top covered with a black and white label with swan and two fountains. Top of box painted yellow under the pink paper and label.

Bentwood box with sheet iron hoops. Traces of a red stain on exterior. Branded into exterior side: "H.L. 1889"

Painted green with hinged lid and applied molding on the cover and base In pencil on the inside top of cover "Daniel Page Simons [Swissons?] E.E., Dryden N.Y., A."

Green painted box with sliding cover.

Round box painted red with bottom of pine and sides of bent wood.

Round with bent wood sides. Exterior painted dark mustard with black and lilac sponged design.

Box - with 116 uncatalogued dress stays.

Muff box covered with black paper, original label on cover featuring a lion.

Small box with carved top. A medallion on the top of the lid shows a carving of two men, the corner of a building, and decorative scroll work. Box is hinged with a tiny brass flower on the front of it. Interior is lined with blue velvet and an impression is left where something once sat. Most likely a brooch.

Box with wooden base. Pasteboard sides covered with green/pink plaid paper (appears to be a green stripe because of fading.) Bright blue/gold label with grapes covers lid.

Covered box with original green paint.

Round box with lid and handle in its original green paint, most of which is faded to gray. Hand-hewn handle and pegs which secure the handle to the box.

Round box with lid in original ocher paint. Missing handle.

Handmade box covered with black paper. Unlined.

Round storage box with lid.

Small 4-page Sunday School tract. Number LXXX.

Bracelet with strap band with clasp and crimped 4-layer blossom on front. 10th wedding anniversary gift.

Green braid in 5 yard package wrapped in paper label. 76.114.12-16, one is missing.

Blue braid in 5 yard package and wrapped in paper label. 76.144.38-44, missing one.